Since news of his death first broke June 10th, 2017, Adam West has been publicly memorialized by friends and fans alike for his career-making turn as wealthy orphan Bruce Wayne and his crimefighting alter ego, Batman. And while the ’60s Batman series stands out, so too does West’s voice work in modern TV stalwart Family Guy, in which he played a ludicrously funny version of himself who also happened to be mayor of Quahog, Rhode Island. “Family Guy has lost its mayor,” creator Seth MacFarlane tweeted on Saturday, “and I have lost a friend.”
As notable as West’s contributions to both bastions of popular culture are, however, few know of his pre-Batman television and film career, which consisted largely of Westerns. From playing the role of famous gunfight at the O.K. Corral participant Doc Holliday in three separate TV series, to appearances in Gunsmoke, Petticoat Junction and the movie Geronimo, the Walla Walla, Washington-born actor made his mark with a hat, a pair of boots and a smoking gun. Other projects, like a spot in the original The Outer Limits and a starring role in the cult classic Robinson Crusoe on Mars, helped bolster West’s profile along with the Westerns in his credits. Yet how did a classically handsome Hollywood leading man best known for such dramatic roles become most famous for his contributions to comedy? A crucial step in West’s rise was his team-up with a team with ties to vaudeville.
West’s pre-Batman roles include an appearance in 1965’s The Outlaws Is Coming!, the final theatrical feature film starring Moe Howard, Larry Fine and Joe DeRita as The Three Stooges. The trio would go on to voice their characters in the short-lived The New Three Stooges cartoon and the aborted TV pilot Kook’s Tour, but Outlaws marked their final feature outing — and West’s straight man cum would-be Western gunslinger, Kenneth Cabot played a crucial part as the team’s foil. West plays the editor of a Boston magazine concerned with a buffalo slaughter in Wyoming, Cabot and his three editorial associates embark on a farce not whose plot resembles later classics like Blazing Saddles and City Slickers.
“Boys, boys please,” Cabot exclaims in his first scene, “I’m working.” Having just finished the first of many characteristic fights meant for laughs, a newsprint-plastered Moe acknowledges his decidedly younger boss. “Oh that’s all right,” he quips, “you’re not bothering us Mr. Cabot.” It’s an otherwise typical, unsurprising scene from the Three Stooges’ filmography, but West’s presence as Cabot — a character whose straight man role immediately places him second to the star trio’s pedestal — seems odd. After all, this is the man who helped bring Batman, a comic book vigilante, into the ’60s mainstream with all the camp he could muster. And much like the caped crusader, Cabot here employs equal parts charm and intentional hilarity in a manner one would assume the good-looking West wouldn’t necessarily embody.